António Lopes

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Welcome to the deposit for all my sort of ramblings.

"The Butler did it"

posted Mar 2, 2010 8:26 AM by António Lopes

Me and my wife went to see the new Martin Scorsese's movie (Shutter Island) this weekend. The movie is a mix between horror, suspense and thriller that tells the story of a U.S. Marshall (played by Leonardo DiCaprio) that is investigating the disappearance of a female prisoner from a facility for mentally-ill criminals.

Halfway through the movie, my wife asked me: "Any theories yet?". I replied with the one I was cooking at that time and that seemed the most probable one. Needless to say, that was exactly how the movie ended. And even if the movie turned out to end some other way, I'm pretty sure I also considered the alternative ending.

As we were leaving, probably due to the fact that I totally nailed this movie's ending (which I'm pretty sure a lot of people will), my wife said something close to: "There's nothing new in cinema. Everything's been invented already". This is a vague statement and it only makes sense in the context that I described, but I can't shake the feeling that somehow, she's right. I'm not talking about image, sound, animation or special-effects technology. I'm sure the future still holds some interesting surprises for us on those fields. But I'm talking about the essence of cinema: the storyline, the plot. Can we still be surprised?

Do you remember that last time when you left the cinema with that "Wow" expression on your face as if somebody had just made you swallow a tequila shot and decided to juggle your head as a carousel? Well, I do: it was the year 2000 and I just went to see Christopher Nolan's Memento.

This doesn't mean that I didn't love other movies from that point on. Of course not. A movie cannot be judged only by its script. A lot of other elements are important as well. But from the plot point of view, I have to admit, it's hard to come up with something completely new and original. Especially on this age in which the viewers are already expecting everything and have considered every possible twist. In which the viewers already know what to look for and know every technique that directors use for delivering subtle hints.

I sure hope I'm wrong and that I'll be surprised soon, but for now I can't help feeling a bit sad about this state of affairs. But I guess it's my fault. I just can't watch a movie without starting to tangle a full web of possible outcomes based on everything I've seen already. Perhaps I just need to relax and enjoy the movie.

I guess at this point the most original ending is: "The butler did it". :)

What they don't tell you about parenting

posted Feb 19, 2010 8:54 AM by António Lopes

If you think SEAL or Marines training is tough, you should try being a parent. My son has been sick with bronchitis for the past week, which means he had a mild fever and a severe out-of-hell case of cough. This resulted in 3 consecutive nights of torture-like sleep deprivation.

The only way I can describe you the entire process is by presenting you with this challenge: try buying the most annoying alarm clock you can find, set it to ring every two hours at night and then let it ring continuously for 10 to 15 minutes each time, while you're holding it on your lap and "telling it" to calm down and go back to "sleep". Add the frustration and agony of seeing your "alarm clock" in such pain and discomfort. Then repeat this process for 3 nights in a row.

At that point, you'll be acquainted with a whole new level of being tired. But don't despair, being a parent has a lot of great things too: for my birthday, my son painted a small paper bookmark for me to use whilst reading books. Although this means that my son does not read my blog (which is kind of obvious since he is only 18 months-old), it still warmed my heart immensely.

But most of all, it can be quite entertaining. Well, not usually for the parents, but for those around. And when that is combined with a camera that films the whole thing, that can also become entertaining for the entire world to see on YouTube.

Watch this struggling parent that is trying to put his baby girl to sleep but whom is stubbornly addicted to the warm embrace of her father. I fully empathise with this parent's frustration but I did laughed my ass off watching this. Please, dedicate special attention to the parent's face when the girl wakes up every time he tries to move. Enjoy:

Twilight Saga - Yes, I've read it! You can start the jokes now...

posted Feb 15, 2010 7:26 AM by António Lopes

I love vampire stories. I've loved them ever since I first learned what a vampire was. The idea of blood-sucking immortal beings roaming the Earth that could only be killed with a stake to the heart… come on, how can a little boy not enjoy that? Oh, that and Zombies (preferably with their heads blown up with a double-barrel rifle)! But that's another story :-)


Needless to say, I watched every vampire movies that I could get my hands on and when the Twilight series started I was curious too. Sadly, I didn't know this was based on a series of books in which a teenager falls in love with a century-old teen vampire and everything is so depressing that you just want to kill yourself. That, combined with poor acting and a terribly-adapted script, was the recipe for a disastrous movie, in my opinion of course.


But still a good friend convinced me to read all four books and I decided to do so in the hope that my opinion of the story would change. Details of all four books below:


 
 
 
 
 Twilight (3/5):

The book tells the story of Bella, a teenager girl that moves to a small town in Washington state where it rains almost all the time. This is specially depressing for a girl that comes from a place like Phoenix, Arizona. Then she meets a family of vampires at school and falls in love with one of them, Edward, apparently "the most beautiful thing in the world".


The story then revolves around their relationship and the dilemma of wether they should be together or not, considering he's a vampire and that he's constantly fighting not to suck her dry. Towards the end, finally, an interesting situation reveals itself ending up in a fight between clans of vampires.


This didn't actually changed my opinion of the story but the book is obviously much better than the movie, mainly because it brought some sense to some of the things that I found ridiculous in the movie. Of course the excessive teenager-like discourse of feelings is tiresome but then again, who wasn't like that at that age?

 New Moon (3/5):

This one picks up on Bella and Edward's relationship and on how dangerous it is for her to be around vampires. A particular situation causes Edward to leave Bella and then, obviously, an endless sequence of depressing chapters ensues. Bella then finds comfort on the arms of her friend Jacob. Yep, this looks like a typical saturday night "telenovela" and it is as boring as it sounds. Fortunately the story then reveals a more interesting aspect when we actually discover that werewolves are involved too.


In spite of the book's terrible start, it becomes interesting as new characters are presented towards the end of the story. This balance is the only thing that allowed it to have a rating of 3 out of 5. After reading the book, I decided to go see the New Moon movie and I have to say it doesn't suck as much as the first one. So I guess they're learning with their mistakes as this movie is much more inline with the book than the previous one.

 Eclipse (3/5):

The pattern of the two previous books is once again present: the start is somewhat like a soap opera where Bella deals with the inner conflict of loving both Edward and Jacob, who just so happen to be mortal enemies. But once again, towards the end, the book presents an interesting twist in which the mortal enemies have to form an alliance in order to fight a common enemy.


Also, the book starts to shift to a more interesting pattern in which Bella's feelings are not so teen-like anymore and gain less importance in the story. Instead the focus goes to the supernatural aspect of the story, (which in my opinion, should have been from the start) where we learn more about these vampires and their enemies, the werewolves. The final battle in this book does make me curious as to how they'll be reproducing this on the upcoming film of the saga.

 Breaking Dawn (4/5):

Definitely the best of the four books (which is perceived by the rating), Breaking Dawn does what all previous books should have done: focus on the supernatural aspect of these stories. I'm not going to reveal the story of this book because it would be a definite spoiler but I have to say that I was pleased with the way this story was presented. We learn a lot about the vampires, we meet new (and very interesting) characters and the ending is quite interesting (except for the happily ever after part! Oh shit! Sorry for the spoiler!!).


I was just disappointed with the fact that the whole universe of characters that was presented here was underused. Either the author didn't have enough imagination to do better or she's saving it for a sequel that I suspect may be coming sometime in the future.



In the end, I don't understand the enormous hype surrounding the whole thing but I have to say that I don't regret having read the whole saga, because I did like some of the aspects of the books as you can read above. I sure hope they can produce some decent movies out of the two final books, instead of the rubbish done so far. I'll admit: I'm looking forward to them. What can I say? I like blood squirting around … but maybe that's just me :-)


So, that takes care of one of the vampires' sagas. Next up: The Southern Vampire Mysteries saga, which tells Sookie Stackhouse's chronicles that is the basis for the HBO hit show True Blood (which I love, of course). But this one is 9 books long, so I guess it'll be quite sometime until I post something about it.

What NOT to do in a presentation

posted Jan 25, 2010 2:35 AM by António Lopes

It's no coincidence that I'm writing this just as I got back from a 3-day conference. I enjoy going to conferences because there's always interesting people to meet and to talk about common research interests. However, there are painful moments and most of them revolve around… boring presentations.


I don't hold the secret to do the perfect presentation and that's exactly why this post is not called "What to do in a presentation". Instead it focuses on what NOT to do. And I mainly address this from the point of view of the person that is watching because, well, that's what it matters: to make a presentation that the people attending won't find boring.


So, here's the list of no-no's (in no particular order of "boringness"):

  • No excessive text - Presentations are to be "presented". Not "read", otherwise they would be called "readentations" or "book-clubs". The text on the slides should be concise and bullet-like, with no details. The details will be provided by you, while presenting, hence the name "presentation".
  • No dead-slow animations - I saw a presentation in which a certain slide took almost one minute to fully load. You could feel the viewers' stress building up in the room as the circles and arrows would come up. It's even worse when the speaker isn't actually saying anything during that time.
  • No slide reading - Do not, under no circumstances, read the full text of your slide. Again… that's not a presentation, that's reading. And assuming that your audience is literate, you're not doing anything extra to help people understand your presentation. And no, waving like a maniac while reading it won't help… at all! Neither reading it with an attitude or in a Shakespearian way.
  • No huummmms - If you open your mouth and say "huuummm!" between every two words, people will end up thinking that you have no idea what you're talking about.
  • No clouds - Using clouds to obfuscate details of a system is soooo 2001! A little detail is always useful to offer the necessary insight into your system…but not too much.
  • No note reading - Prepare your presentation and don't spend the whole time reading a script, especially if you're with your head buried in papers and not facing the audience.
  • No dinosaur talk - Focus on the subject of your presentation and don't wander about trying to explain everything starting in the jurassic era.
  • No excessive laser pointing - The laser pointer is quite useful for explaining complex diagrams from afar, but don't use it all the time and especially not as if you're in a rave party after taking LSD.
  • No clipart - Nothing says "lame" like an abstract picture of a well-dressed man smiling and talking on the phone in front of a computer to depict the "User" of your system.
  • No intimidation - Don't babble for hours about a very complex issue with vocabulary that is only known by a dozen people around the world and then finish with expressions like "Trivial!" or "Obvious!"

If you have any other tips to share, please do so. Feel free to use this knowledge to prepare your next presentation. Your audience will thank you.

Apparently, I have the profile of a terrorist

posted Jan 21, 2010 8:01 AM by António Lopes

I'm in Valencia, Spain, for a few days for a conference on Artificial Intelligence and just arrived this morning. Having some time to kill, I decided to go for a walk in the city (since my hotel is actually a few miles from the city centre, closer to the beach) and took the mini-bus (which the hotel so kindly provides to its guests free of charge) to the city centre directly to the main train station, Valencia Nord.


With no knowledge of the city at all, I decided to go inside the main train station in order to look for a tourism office to, at least, get a map that would allow me to easily stroll around. Since the station is huge and I didn't actually know if there was a tourism office there, I had to wander around a little bit looking for one.


Apparently, this is not the kind of behaviour that is tolerated around here because, just 4 or 5 minutes after I entered the station, I was suddenly approached by a couple of undercover policemen that very subtly showed me their badges and persuaded me to join them to a less conspicuous area of the station (since I was more or less in the middle of the main hall) to ask me a few questions.


Needless to say, at this point my balls were the size of sesame seeds mainly because my thriller-fuelled stupid brain started to imagine that I would end up in a secret government prison being tortured (permitted under some devious terrorist act law of some sort) to provide answers about some secret terrorist cell, just because they confused me with some terrorist guy.


Luckily, my brain was wrong and the policemen were very polite and went on with the "routine questioning" quite efficiently. First, they asked for some identification, which I provided, and took some notes, which one of the officers used to contact a central service of some sort. In the meantime, the other officer was asking me routine questions, always in spanish.


He started by asking where I was from since it became quite evident by brilliant and fluent "castellaño" that I wasn't spanish at all. Then he asked what did I do for a living. At this point, I was afraid that my answer that I actually develop intelligent software entities for a living, would not help me get on the policemen's good side, so I decided to simply say that I was in Valencia for a conference that "involves computers". He did give me that suspicious look and decided to dig in deeper and asked me exactly what the conference was about. That's when I decided to give him the usual answer that always work on these situations: intelligent robots. Surprisingly enough, he said: "Oh, that kind of technology from the future, that we see in movies? Cool!". Great, I was home safe…


But my brain was still not convinced about the whole thing and I still decided that I owed it to myself to try to find out why the hell was I being questioned by undercover cops. Just in case, they were in fact criminals trying to kidnap me or something, you know… the usual (I really should stop seeing so many action movies). So I started asking some questions and at this point I was quite amazed with the fact that I was maintaing a conversation in spanish for about 5 minutes and the guy was actually understanding what I was saying. I asked why did they approach me and why was the other men calling someone.


The explanation was simple: that train station is the main connection of Valencia to the remaining cities in Spain and they do a lot of these routine questionings for people that fit a "certain" profile, which in my case meant that a shaved-head guy with a green-military jacket zipped all the way up (that's me!) wandering around in a station like if he's scoping the place triggered a lot of red flags on the surveillance room. And basically when that happens, the guys on that room contact the undercover guys so that these can approach the person, ask the routine questions and check the IDs.


Meanwhile, the other guy was seriously chatting on the phone. When he finally finished I was amazed with the amount of information that we was able to collect about me just using my ID information. They already knew that I've arrived that morning (including flight number) and that the info on my ID card was genuine. So, it was easy to believe they were the real thing.


And that was it. After that, they just sent me on my way apologising for having disturbed me. I still thought about asking to take a picture all together so that I could remember this precious moment (in which I was considered a potential terrorist) forever, but I guess that would be pushing my luck. And so, I said "Buenos Dias!" and went for a walk on the small but picturesque city of Valencia :)

Flashforward - TV Show vs. the book

posted Jan 3, 2010 9:28 AM by António Lopes   [ updated Jan 6, 2010 6:48 AM ]

The new hit TV show, Flashforward, has raised some hype but even though I liked the episodes aired so far (it's still on its first season), somehow I wasn't that excited about the whole thing. I find the idea of people having a glimpse of their own future very appealing, but the approach taken on the TV show is typical "story-stretching". What do I mean by that? Well, I could just point you to a great example like Prison Break, but I'll explain it anyway.

Basically, like every hit show that's based on a good and appealing story (likely to have good ratings) they tend to stretch it to an endless parade of boring episodes, in a hope of making it profitable for the longest time possible. And a TV show that should have been produced as a mini-series of 4 or 5  episodes or a one-season only of 10 really good episodes, is bound to be filled with  a lot of boring stories that do not contribute in anyway to the central plot line. Good thing I decided to read the book in which the TV show is based upon.

Robert J. Sawyer's FlashForward tells the story of a phenomenon that occurred in 2009, caused by the deployment of the LHC particle accelerator at CERN, that "transports" the entire world's population's consciousness into the future, more particularly 21 years, during more or less 2 minutes. The first interesting aspect of the book is that it was in fact written 10 years ago and it's amazing how the author was able to predict at that time, that in 2009, the launch of the LHC (whose goal was to reproduce part of the behavior of the Big Bang) was going somehow to have an impact on the society. Well, we don't know exactly if its launch is going to allow us to see the future, because they've been having some problems down at CERN. But I doubt it :)

Another interesting aspect is the fact that in the book the flashforward is of 21 years instead of the 6 months on the TV show. I think the 21 years are more appropriate because it reveals real change in people. Most people don't go through significant changes in their lives in 6 months, which is actually a weak point of the TV show in which most of the characters have completely different lives in the future.

But what I really loved about the book is the fact that it's not meant to be a thriller or mystery-related book and it's not pretentious in that way. Instead, it uses simple human stories to encourage the discussion of what would it be like if we actually went through an experience like that, in which we could witness our very own future for 2 minutes, 21 years in advance.

In the TV show, the story is centered on the FBI agents responsible to investigate the causes behind the phenomenon while having also to face their own futures (which were obviously not very friendly). The show even goes as far as touching the possibility that there's some sort of conspiracy behind it or that the whole thing is a well-planned terrorist attack from a few people with an unknown agenda.

In the book, the story is centered on the physicists that are responsible for the phenomenon, which is caused by the LHC. So, there's no mystery, the causes are known and there's no need to build up a conspiracy behind it. Instead, the focus of the book is on the people, their futures and how they'll deal with what they saw. And that's why it's so good. It makes us think about the whole thing: is this really the future? Can it be changed? Or the fact that we know it, will actually embark us on a path that will inevitably leads us to the seen future?

And most of all how would society as a whole deal with this? This leads to an endless stream of interesting questions:
  • Should the stock market be shutdown? Companies that were still here in 2030 could have a massive boost in their stocks, because of that simple knowledge that their business would endure two decades into the future.
  • Should patents be banned? Because of what people see in their flashforwards, they could file for patents of futuristic devices and become very rich once these were "invented".
  • What about the fact that you now know that in that specific point in time you'll be having a flashforward which could reveal information to a past you? Wouldn't you try to spend those 2 minutes revealing important information to yourself in the past that would lead to a better life (like divulging lottery numbers and to avoid pointless relationships/jobs, etc...)? But wouldn't that mean that the "past you" would use that information to produce a different version of you in the future?
  • And would the society want more of these visions, thus forcing CERN to deploy the LHC again? Would they become addicted to them?
The book does raise a lot of these questions and dwells into them with magnificent speculation, just enough to make you think. But the main focus of the book are on the stories of the main characters:
  • Lloyd Simcoe (coincidently the same character as in the TV show but with a completely different story), the main character of the book and the main person in charge of the LHC experiment, is engaged to be married to a woman he deeply loves but in his flashforward he sees himself married with another woman, with which he seems to be very much in love. Being a firm believer in the inevitability of the space-time continuum (no parallel-universes) he's in a dilemma: should he marry this woman and "risk" a few years of happiness, knowing in advance they will not be together in the future (which hurts him a lot because of his own painful experience of having to face his parents' very disturbing divorce) or should he simply cancel the wedding facing the obvious difficulty of having to let go of the woman he loves now but knowing that in the future he'll be happy with another woman?
  • His colleague, Theo, had no flashforward at all. He didn't experience 2 minutes of absolute darkness, which could indicate that in the future he would be sleeping. Instead, he simply experienced a total absence of time as if the 2 minutes had passed instantly. This could only have one explanation: he will be dead some time in the next 21 years. Being puzzled with this fact (since he is only 27 years old on 2009, he wouldn't be too old to die of natural causes in 2030) he decides to broadcast on the Internet (which ultimately leads to the creation of the Mosaic website - as in the TV show) a request for any information regarding his death. To his surprise, a lot of people reply to him with the information that he will be murdered just 2 days before the actual day to which the flashforward "transported" all the world's population consciousness. This leads him in a quest to find out why and who will kill him in the future, while at the same time he ponders the doubts lingering in his head: will he be able to stop it now that he knows he'll be murdered or will this quest actually lead him to the exact point in time in which he's murdered?
  • Theo's brother is a writer-wannabe, but in his flashforward he's not a famous writer. Instead, he's still a waiter at a restaurant in 2030. This will shatter his dreams of being a famous writer to a point that he'll consider committing suicide. But consider this catch 22: if he kills himself, doesn't that mean he can change the future? But if he doesn't, how will he know that he can actually change the future and work harder to try and be a famous writer? He could simply cut his arm, since in his flashforward he had his two arms. That could also be a sign that he could change the future. But who's to say that in 21 years time, technology won't be evolved enough to replicate lost limbs? If that'd be so, then cutting an arm or making an extreme action like that, would have no effect and he could end up being a waiter after all. So death seems to be the only solution. But won't he lose it all if he does it?
The book eventually reaches the infamous point in time and everything is revealed. But did it all occurred as it was witnessed in the flashforwards in spite of people having knowledge of their future or were there any changes? Well, you need to read the book for that :) But let me say again, the good about the book is the thinking that it leads you to do, the speculation, the possibilities, the eternal discussion of if there's an actual destiny to all things in the Universe or instead free-will really exists?

As to the TV show, well... it's good Holywood fun, but don't expect it to ever be half as good as the book is.

Avatar - stunning visual effects, a lot of clichés

posted Jan 3, 2010 7:52 AM by António Lopes

I went to see the 3D version of Avatar, last night. There isn't that much to say about the movie that hasn't been said before. Yes, its visual effects, 3D rendering, the details of the Pandora world (the land of the Nav'i - the aliens portrayed in the movie) are superb, awesome and <insert another flattering adjective here>. But that's not a surprise considering the time and money that has been invested in it.

What's the point of spending this much time and money on a movie and then deliver such a cliché-based storyline? It's kind of annoying that something that could be considered as a reference for years to come (visual-effects-wise) is totally ruined by a script that basically is "Pocahontas meets Dances With Wolves, on Pandora".

Bottom line: go see it, it's a visual experience worth going through, but don't expect any more than that.

Dexter, your friendly serial killer

posted Dec 28, 2009 2:30 PM by António Lopes

NOTE: this post may contain some spoilers for the TV show and the related books. If you haven't seen/read them yet, please be advised.

Dexter has been one of my favorite shows on TV. The idea of a serial-killer that only kills people that actually deserve to die and is still able to maintain a seemingly normal life with family, friends and co-workers, is quite appealing and since the beginning of the first season I've become a real addicted fan.

The story revolves around Dexter, the mentioned serial-killer, that is a forensics expert at the Miami PD. He specializes in blood spatter analysis, even though he's not that found of blood himself. But it's exactly his experience on this field (and the teachings of his foster father, Harry, a veteran policeman) that makes him such an efficient serial-killer. He never leaves a shred of evidence behind and he makes sure that he only kills people that really deserve it, in order to honor the Code of Harry - the set of rules left by his, now dead, foster father.

Whenever I see such interesting stories on TV shows or movies, I always try to find out if they're based on some book or other publications. Easy enough, the credits on the TV show episodes clearly stated that this was based on Jeff Lindsay's "Darkly Dreaming Dexter" book. Evidently, I became curious and decided to read the entire collection of the Dexter books (4 books and 1 not published yet).

After reading the 4 published books, I have to say I'm quite disappointed that the stories on the books are not as interesting as the ones on the TV show, even though there are some elements of the books that I would like to see explored on the show (such as the fact that Cody and Astor have also a "Dark Passenger" and that Deborah actually knows about Dexter's "hobby" and has some inner conflicts between protecting her brother or sending him to the electric chair).

The characters of the books are the same as the ones on the show and with almost exactly the same personality (Deborah, Rita, Cody, Astor, Doakes, Masouka, Batista, etc...) but the storyline for each book (except for the first) is completely different from the ones on the TV show, which is not necessarily bad. In fact I very much liked the idea of reading different stories with the same characters. It felt like "watching" non-aired seasons of the TV show. And it would be amazing... if only the stories weren't so dry.
 
The first book of the series presents almost exactly the same story as the one of the first season of the TV show.

However, it is much more condensed and some things that are explored on the show (such as Deborah dating the Ice Truck Killer) don't feature on the book. Also, the story on the book leads us to believe up to a point, that Dexter may actually be the killer and he has been doing the killings during some sort of blackouts/sleepwalking experiences. Hence, the title "Darkly Dreaming Dexter".

But in the end the conclusion is the same as on season 1: Dexter's past and what actually led him to be the way he is, is revealed.

It's definitely the best book of the four because it's the beginning of this wonderful character, so rich and so unusual of anything we've seen on TV shows or even books.

Rating: 4/5
The second book revolves around a figure from Doakes' past that comes to haunt his former partners in the special forces. One by one, this figure will "transform" them and Dexter will help tracking down the killer.

Even though, the premise of the story is quite interesting (and specially the modus operandi of the killer that does not actually kill his victims, but leaves them alive without arms, legs, tongue and ... eyelids!) the actual narrative is too far-fetched and ridiculous (including Dexter's behavior towards the case, new characters that are just badly-conceived and Dexter's "accidental" engagement).

Another aspect that I didn't like on this book is Dexter's sarcastic mood. I know that the occasional sarcastic pun is always funny, but in this book that just seems too excessive and tiresome.

Rating: 2/5
The third book takes a different approach and instead dwells on the potential origin of the "Dark Passenger", the voice that murmurs inside Dexter's head and in which he so blindly believes to perform his killings.

I very much liked the idea of analyzing the mysticism around Dexter's dark personality and the possibility that this dark power is in fact something that's around since the dawn of ages. But again, the actual story was not as interesting as it could potentially be.

Nevertheless, this book introduces another interesting aspect: the possibility that Cody and Astor are actually like Dexter (because of their dark past of abuse at the hands of their biological father). Dexter now has to face the decision of training them to be as efficient as he is, or simply hide that darkness inside.

Rating: 3/5
The fourth book is slightly better than the previous two but not as good as the first one.

The story here starts with a bunch of bodies that turn up on Miami touristic areas. These bodies are not the usual murder victims. Instead they seem to be part of an art statement of some sort, since their insides are arranged, along with typical tourist objects, to shock the viewers.

In a turn of events (related to mistaken identities) Dexter ends up killing an innocent person (kinda!), which makes the original killer even more angry, thus deciding to haunt Dexter and his family.

Naturally, this brings undesired attention to Dexter's hobby and he has to find a way to get to the killer and still avoid to reveal his true monster inside.

Needless to say, he does and as usual, luck has a lot to do with it. Which is why I give it a rating of 3 instead of 4.

Rating: 3/5


Guy Ritchie's Sherlock Holmes

posted Dec 28, 2009 1:55 PM by António Lopes

Trailers can be quite the tricky bastards. Most people that watch the trailer for the new Sherlock Holmes movie will probably find the non-traditional approach to the original story from Sir Arthur Conan Doyle just another blockbuster from Hollywood with no interest at all but to special effects fans.

But considering that it was directed by Guy Ritchie (a movie director that I admire a lot), I decided to give it a chance and off we went on Christmas day to the cinema. And oh boy, was I relieved to see that once again Ritchie not only not disappointed me but he was able to deliver a century-old story in such a magnificent way that I'll go as far as to say that even the most bitter critics will like what he's done with the story.

The story itself is quite entertaining (as with most Sherlock Holmes stories - a series of murders and mysteries have to be solved and Sherlock Holmes is exactly the man for the job) and the actors (with a special reference to the wonderful interpretation of Robert Downey Jr. as Sherlock Holmes) deliver a stunning performance in this adaptation of the mystery classic. But what's really interesting is the way Guy Ritchie used the well-known elements of his previous movies (if you're a fan you'll know what I'm talking about) to turn this into an extremely entertaining movie: the perfectly-queued music; being funny when it needs to be; the occasional (and always helpful) flashbacks; and obviously, superb dialogs with awesome punchlines.

And I was also glad to see that, as some loose ends were purposely left behind in the end, Guy Ritchie is preparing what it seems to be a very promising franchise. I'm already anxiously awaiting the next movie :-)

Fully recommended!

Santa Claus brought me some reading material

posted Dec 28, 2009 12:43 PM by António Lopes

I'm not that passionate about books...I mean, the object itself. I do love reading but the book object on its own is not very user-friendly. Most of the time, one has to use two hands to read a book, which sometimes can be quite a problem (like when I try reading on the bed whilst lying down; or when my son insists on sleeping on my lap and I have to hold him with one hand, whilst reading the book with the other). Also, try reading outside on a day with a bit more wind and you'll see how an hassle that can be. And don't even get me started on the space that books occupy on shelves, bags, etc...

I tried using the eReader app on my iPod Touch but the screen is quite small for intensive reading and there's the issue of battery life. I needed something more adequate for reading books, so I started looking around for eBook Readers just to get some info on the subject.

As it turns out, Christmas was right at the corner and it looks like I've been a good boy this year, 'cause Santa brought me exactly the gift I wanted (well, one of the many): an eBook reader. More particularly, the Sony Reader PRS-300. I've only had a few days to play around with it, but I'm pretty much convinced that this pocket-size ebook reader is the perfect gadget for my on-the-go reading.

Why? I'm glad you asked:
  • First of all, it's very, very light. It can easily be handled with just one hand and in pretty much every position that I'm in without causing much strain on the hand.
  • It's just the right size and the E-ink display is absolutely gorgeous. Even though the screen may seem small at first, the possibility to adjust the font size with just one click makes the reading experience quite pleasant.
  • Being an E-ink display, the battery consumption is only relevant for page turns and this particular model can process 7500 page turns on a full-charge, which in theory means you can read on average 15 books before having to charge it again.
  • It can handle a multitude of document formats in addition to the normal eBook format, including PDFs, TXT and Word documents. So, I can easily put most documents on it (specially research papers that I need to read) and read them wherever I want (which is great for storing recipes that are easily accessible when I decide to do some cooking experiences).
  • It only has 512 Mb of internal storage but considering that most books use less than 1Mb of space you can have a clear idea of the huge amount of books that you can store in it.
  • Generally, eBooks are cheaper than books and you don't need to wait 3-5 working days to be delivered :-)
But is everything that perfect? Well, of course not. Like everything in this world, there are some drawbacks:
  • The contrast of the screen under yellow-based lights is not that satisfactory (but under white florescent lights or daylight is simply perfect), which can turn the reading experience into a strenuous battle to find the right angle at which you can read comfortably.
  • Depending on how some PDFs were created, the font size adjusting feature doesn't work, leaving you with a useless document because it displays a whole page in the small screen (which can only be read using a magnifying glass).
But these drawbacks are too specific and they don't, in any way, diminish the value of this great gadget. If you, too, are getting tired of handling books, consider buying an eReader because it just might be the right thing for you.

And no, I don't still believe in Santa Claus and I have my close family (especially my wife) to thank for this great present. Merry Christmas everyone!

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